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Table from Chinese Moonlight
serving instead as a poetic title for a rural scene
the large shell used as a musical and religious instrument
The compositional idea is particularly clever: the net becomes both a working tool and a visual device that frames the landscape
predicava un ritorno alla primitiva essenza del buddhismo
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 vasi Table from Chinese MoonlightStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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