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Still, the challenge of stretching those mildly diverting shorts to feature length remains formidable, and one has to wonder whether an audience exists beyond nostalgic parents and their young children." [7] Writing in The Washington Post , critic Desson Howe described the film as "a see-through marketing impulse more than a creative venture" with "gratuitous grown-up cameos," and concluded that "if one thing unites parents as one, makes them stand up and cheer, it's likely to be that familiar on-screen credit: The End." [8] Film critic Glenn Kenny reported in Entertainment Weekly that the film was "not half bad" and "a minor delight," that it "can be seen as another of the directors love/hate letters to L.A.," and suggested that "[Spheeris'] experience with the half-formed humans in [her] Decline movies may have provided the forbearance to deal with her preteen actors." [9] Box office [edit] The Little Rascals earned $10 million at the North American box office during its opening weekend, ranking in fourth place behind Clear and Present Danger , The Mask and Forrest Gump