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Wes Anderson: The Archives accompanies the first retrospective exhibition of Anderson's work
Melvin Edwards
yet unavailable for over three decades
Brian O’Doherty
Offering a deeper appreciation of the artistry and skill behind the international icon Miffy
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 posters Wes Anderson: The Archives accompaniesA landmark design periodical, brought to life in a complete facsimile edition with eye opening critical essays and translations Around 1900, leading Secessionists and their students developed a new style of graphic modernism, emphasizing flatness, expressive geometry, stylized lettering, and bold colors in an effort to transform the world of printed surfaces. Die Flche (The Surface) showcased their vision, presenting hundreds of designs for everything
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